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Édouard Manet’s early work “The Luncheon on the Grass” could be considered his greatest triumph but in 1863 it engendered great controversy. It was intended to be shown at the annual Paris Salon but it was too shocking and was rejected due to its perceived indecency. Manet like his paintings was a contradiction, both bourgeoisie and common, conventional and radical. Join us on to learn more about Manet’s eclectic art and decide for yourself, controversial or not.
William H. Fredlund, the Director of the Institute, obtained his B.A. and M.A. from UCLA, where he specialized in European history and art history. He studied in Italy on a Fulbright Fellowship and completed a double Ph.D. in history and humanities at Stanford, specializing in Renaissance Italy. Dr. Fredlund has taught for UCLA, the University of Florence, Stanford, and UCSC Extension.
